Đề 5 – Bài tập, đề thi trắc nghiệm online Văn học Anh – Mỹ

A A. J.R.R. Tolkien B B. C.S. Lewis C C. J.K. Rowling D D. Philip Pullman

A A. The hero's ultimate reward B B. A fatal flaw leading to the hero's downfall C C. A humorous element intended to lighten the mood D D. The intervention of divine beings in human affairs

A A. Flannery O'Connor B B. Eudora Welty C C. Carson McCullers D D. Harper Lee

A A. Symbolism B B. Imagism C C. Surrealism D D. Futurism

A A. Toni Morrison B B. Alice Walker C C. Maya Angelou D D. Zora Neale Hurston

A A. Kurt Vonnegut B B. J.D. Salinger C C. Philip Roth D D. John Updike

A A. Metaphor B B. Simile C C. Oxymoron D D. Hyperbole

A A. The pursuit of wealth and material possessions at any cost. B B. The ideal that upward mobility and success are achievable for anyone through hard work and determination, regardless of social class or origin. C C. The concept of escaping to Europe to find cultural fulfillment. D D. The belief in inherent social inequality and limited opportunities.

A A. Realism B B. Naturalism C C. Transcendentalism D D. Existentialism

A A. William Wordsworth B B. Samuel Taylor Coleridge C C. John Keats D D. Lord Byron

A A. Romantic Period B B. Victorian Period C C. Enlightenment Period (Age of Reason) D D. Modernist Period

A A. Ernest Hemingway F. Scott Fitzgerald C C. William Faulkner D D. John Steinbeck

A A. A genre that focuses solely on fantasy worlds and mythical creatures. B B. A genre that blends realistic elements with fantastical or magical elements in a matter-of-fact tone. C C. A genre that strictly adheres to scientific accuracy and logic. D D. A genre that is primarily concerned with historical events and figures.

A A. Christopher Marlowe B B. Ben Jonson C C. William Shakespeare D D. John Webster

A A. The Lost Generation B B. The Beat Generation C C. The Harlem Renaissance D D. Transcendentalism

A A. Brave New World B B. Fahrenheit 451 C C. Nineteen Eighty-Four D D. Animal Farm

A A. The Bald Soprano B B. Waiting for Godot C C. Rhinoceros D D. The Chairs

A A. Tennessee Williams B B. Arthur Miller C C. Eugene O'Neill D D. Edward Albee

A A. When the audience knows something that the characters in the play do not. B B. When a character says the opposite of what they actually mean. C C. When the outcome of a situation is the opposite of what is expected. D D. When the setting of a play is ironic to the plot.

A A. A poem with no rhyme or meter. B B. A 14-line poem, typically in iambic pentameter, with a specific rhyme scheme. C C. A long narrative poem telling a story. D D. A poem with only three lines.

A A. A novel that focuses on historical events. B B. A novel that depicts the psychological development and moral growth of a protagonist from childhood to adulthood. C C. A novel that is primarily comedic in tone and purpose. D D. A novel that is set in a dystopian future.

A A. Edgar Allan Poe B B. Walt Whitman C C. Emily Dickinson D D. Robert Frost

A A. Celebrating the achievements of colonial powers. B B. Examining the impact of colonialism on formerly colonized peoples and cultures. C C. Promoting the continuation of colonial rule. D D. Ignoring the historical context of colonialism.

A A. They were the first African American writers to gain mainstream recognition. B B. They were a group of writers who came of age during World War I and expressed disillusionment with post-war society. C C. They were known for their optimistic and patriotic portrayal of American life. D D. They primarily focused on science fiction and fantasy genres.

A A. The repetition of consonant sounds at the beginning of words. B B. The continuation of a sentence or phrase from one line of poetry to the next without punctuation. C C. A pause or break in a line of verse, often indicated by punctuation. D D. The use of vivid and sensory language to create images.

A A. A period of artistic and intellectual rebirth among African Americans in the 1920s and 1930s, centered in Harlem, New York City. B B. A literary movement focused on depicting rural life in the American Midwest. C C. A political movement advocating for women's suffrage in the early 20th century. D D. A period of economic prosperity in America following World War II.

A A. A narrator who always tells the truth and is completely objective. B B. A narrator whose credibility is compromised, intentionally or unintentionally. C C. A narrator who is omniscient and knows everything about all characters. D D. A narrator who is never present in the story but only describes events.

A A. Emma B B. Persuasion C C. Pride and Prejudice D D. Sense and Sensibility

A A. A focus on romanticism and nature. B B. Rapid industrialization, social reform, and a sense of moral earnestness and social responsibility. C C. A rejection of traditional social norms and experimentation with form. D D. A return to classical ideals and reason.

A A. Objective, third-person narration focused on plot events B B. A direct address to the reader, breaking the fourth wall C C. Representation of the continuous flow of thoughts, feelings, and sensations in a character's mind D D. Strict adherence to chronological order in storytelling