Đề 4 – Bài tập, đề thi trắc nghiệm online Văn học Anh – Mỹ

A A. Sonnet B B. Ode C C. Epic D D. Ballad

A A. John Milton B B. John Donne C C. Andrew Marvell D D. George Herbert

A A. Charlotte Brontë B B. Jane Austen C C. Emily Brontë D D. George Eliot

A A. Tennessee Williams B B. Arthur Miller C C. Eugene O'Neill D D. Edward Albee

A A. Queen Elizabeth I B B. Queen Anne C C. Queen Victoria D D. Queen Elizabeth II

A A. They were a group of writers who focused on children's literature. B B. They were a generation that came of age during World War I and expressed disillusionment and alienation in their works. C C. They were a movement advocating for social realism and political activism. D D. They were a group of poets who primarily wrote about nature and pastoral themes.

A A. American Romanticism focused more on urban settings, while English Romanticism emphasized nature. B B. American Romanticism placed a greater emphasis on individualism, frontier spirit, and the exploration of the American landscape and identity. C C. English Romanticism was more politically engaged, whereas American Romanticism was purely aesthetic. D D. There is no significant difference between American and English Romanticism.

A A. 'Nineteen Eighty-Four' B B. 'Animal Farm' C C. 'Brave New World' D D. 'Fahrenheit 451'

A A. 'The Grapes of Wrath' by John Steinbeck B B. 'The Great Gatsby' by F. Scott Fitzgerald C C. 'Their Eyes Were Watching God' by Zora Neale Hurston D D. 'Invisible Man' by Ralph Ellison

A A. Metonymy B B. Apostrophe C C. Synecdoche D D. Personification

A A. 'The Great Gatsby' by F. Scott Fitzgerald B B. 'To Kill a Mockingbird' by Harper Lee C C. 'Wuthering Heights' by Emily Brontë D D. 'The Catcher in the Rye' by J.D. Salinger

A A. Christopher Marlowe B B. Ben Jonson C C. William Shakespeare D D. John Milton

A A. Romanticism B B. Realism C C. Modernism D D. Postmodernism

A A. William Wordsworth B B. Samuel Taylor Coleridge C C. John Keats D D. Percy Bysshe Shelley

A A. Postmodernism reaffirms traditional literary forms, while Modernism rejects them. B B. Postmodernism often embraces metafiction, irony, and a playful approach to narrative, whereas Modernism, while experimental, often retained a sense of earnestness and search for meaning. C C. Modernism is more politically engaged than Postmodernism. D D. There is no significant difference between Postmodern and Modernist literature.

A A. Geoffrey Chaucer B B. John Milton C C. William Langland D D. Thomas Malory

A A. A type of poem celebrating nature. B B. A novel that focuses on the psychological and moral growth of the protagonist from youth to adulthood. C C. A play characterized by tragic events and the downfall of a hero. D D. A short story with a surprise ending.

A A. Picaresque B B. Gothic C C. Pastoral D D. Satire

A A. Urban industrialization and progress B B. The importance of social institutions and traditions C C. Intuition, individualism, and the inherent goodness of people and nature D D. Strict adherence to religious dogma and doctrines

A A. Satire aims to imitate for humorous effect, while parody aims to criticize through humor and ridicule. B B. Parody imitates for humorous effect or to critique, while satire uses humor, irony, or exaggeration to expose and criticize societal flaws or vices. C C. Satire is always gentle and light-hearted, while parody is harsh and critical. D D. There is no significant difference between satire and parody.

A A. 1910s B B. 1920s C C. 1930s D D. 1940s

A A. Irony that occurs when a character says one thing but means another. B B. Irony that is inherent in the situation of a drama and understood by the audience but not grasped by the characters in the play. C C. Irony that relies on exaggeration for effect. D D. Irony that is subtle and understated.

A A. Hamlet B B. Othello C C. Macbeth D D. King Lear

A A. 'Moby Dick' by Herman Melville B B. 'The Scarlet Letter' by Nathaniel Hawthorne C C. 'To Kill a Mockingbird' by Harper Lee D D. 'The Call of the Wild' by Jack London

A A. Edgar Allan Poe B B. Walt Whitman C C. Emily Dickinson D D. Robert Frost

A A. Transcendentalism B B. Romanticism C C. Realism D D. Naturalism

A A. Metaphor B B. Simile C C. Irony D D. Hyperbole

A A. A type of theatre that aims to realistically portray everyday life. B B. A dramatic movement that depicts the world as illogical, meaningless, and chaotic, often employing non-realistic conventions. C C. A form of musical theatre with elaborate costumes and sets. D D. A type of political theatre advocating for social change.

A A. The historical and biographical context of a literary work. B B. Close reading of the text itself, emphasizing form, language, and internal coherence, independent of authorial intent or historical context. C C. The psychological motivations of the author and characters. D D. The social and political implications of a literary work.

A A. A narrative style focusing on detailed descriptions of physical environments. B B. A technique that presents the continuous flow of thoughts, feelings, and sensations in a character's mind. C C. A poetic form that follows strict rhyme and meter. D D. A dramatic device where characters speak directly to the audience.