Đề 15 – Bài tập, đề thi trắc nghiệm online Văn học Anh – Mỹ

A A. Tennessee Williams B B. Arthur Miller C C. Eugene O'Neill D D. Edward Albee

A A. Irish immigrants B B. African Americans C C. Native Americans D D. Jewish immigrants

A A. The Scarlet Letter B B. Moby Dick C C. Wuthering Heights D D. The Sound and the Fury

A A. Realism emphasizes emotion and imagination, while Romanticism focuses on objective depiction of reality. B B. Realism aims to portray life as it is, often focusing on ordinary people and everyday experiences, whereas Romanticism idealizes nature and individual emotion. C C. Realism uses fantastical elements and supernatural themes, unlike Romanticism's grounded approach. D D. Realism is primarily concerned with historical settings, while Romanticism focuses on contemporary society.

A A. Roald Dahl B B. J.R.R. Tolkien C C. C.S. Lewis D D. J.K. Rowling

A A. They promoted traditional literary forms and values. B B. They rejected mainstream American culture, embracing counterculture, spontaneity, and nonconformity. C C. They primarily focused on realistic depictions of urban life in the early 20th century. D D. They were known for their conservative political views and traditional social values.

A A. Both Gothic and Victorian literature primarily focus on social realism and everyday life. B B. Gothic literature emphasizes romance and adventure, while Victorian literature is concerned with morality and social reform. C C. Gothic literature often explores the supernatural, dark passions, and decay, while Victorian literature, although it can address social issues, often seeks moral lessons and social order. D D. Gothic literature is purely escapist, whereas Victorian literature is always didactic and instructional.

A A. American Romanticism focused more on urban settings. B B. English Romanticism was more politically engaged. C C. American Romanticism placed a stronger emphasis on individualism and the frontier. D D. English Romanticism rejected nature as a source of inspiration.

A A. Romanticism B B. Enlightenment (or Neoclassical) C C. Modernism D D. Victorianism

A A. To entertain readers with humorous stories B B. To directly instruct readers on moral behavior C C. To critique societal flaws and provoke change through humor and irony D D. To provide a realistic depiction of everyday life

A A. A narrative told in chronological order. B B. A narrative that presents the flow of thoughts, feelings, and perceptions in a character's mind. C C. A narrative focused solely on external events and actions. D D. A narrative that uses formal, structured language.

A A. William Wordsworth B B. Samuel Taylor Coleridge C C. John Keats D D. Lord Byron

A A. Robert Frost B B. T.S. Eliot C C. Ezra Pound D D. Walt Whitman

A A. A Tale of Two Cities B B. Oliver Twist C C. Great Expectations D D. David Copperfield

A A. The Renaissance B B. The Enlightenment C C. Modernism D D. Postmodernism

A A. A strong belief in objective truth and meaning B B. Embracing grand narratives and universal themes C C. Self-reflexivity, irony, and questioning of traditional structures D D. Emphasis on realism and straightforward storytelling

A A. Rejection of social norms and conventions B B. Exploration of industrialization's impact and social issues C C. Focus on abstract philosophical ideas D D. Celebration of aristocratic life

A A. It is a prime example of Victorian social commentary. B B. It critiques the American Dream during the Jazz Age. C C. It advocates for transcendentalist ideals in modern society. D D. It is a foundational text of the Harlem Renaissance.

A A. Realism B B. Naturalism C C. Transcendentalism D D. Modernism

A A. Charlotte Brontë B B. Emily Brontë C C. Anne Brontë D D. Elizabeth Brontë

A A. Virginia Woolf B B. James Joyce C C. D.H. Lawrence D D. E.M. Forster

A A. Metaphor B B. Simile C C. Irony D D. Personification

A A. Irony that occurs in real life, not in a play. B B. Irony used only in comedic plays. C C. Irony where the audience knows something that the characters do not. D D. Irony where characters speak in a dramatic tone.

A A. The rise of industrial capitalism B B. The complexities of Southern history and identity, including race and class C C. The innocence of childhood in rural settings D D. The celebration of urban modernity

A A. Charlotte Brontë B B. Jane Austen C C. Emily Brontë D D. George Eliot

F. Scott Fitzgerald B B. Ernest Hemingway C C. William Faulkner D D. John Steinbeck

A A. A type of poem focused on nature B B. A novel that traces the moral and psychological development of a protagonist C C. A play with a tragic ending D D. A short story collection with interconnected narratives

A A. Macbeth B B. Othello C C. Hamlet D D. King Lear

A A. Edgar Allan Poe B B. Walt Whitman C C. Emily Dickinson D D. Henry Wadsworth Longfellow

A A. It is considered the first American novel. B B. It is a foundational text of the Transcendentalist movement. C C. It is often seen as a quintessential American novel, exploring themes of obsession, good and evil, and humanity's relationship with nature. D D. It is a key example of Victorian social realism.